The Ever Changing Field Of Film Essay - 1223 Words

The Ever-Changing Field of Film The world of film has changed dramatically over the years and will likely continue to change along with technological and professional developments. Like many modern innovations, film has changed substantially over a rather short period of time, from black and white movies to modernized color films. Still, it is impressive to think how far film has come, and looking back into the near past affords an appreciation of the technology that no longer exists. Thus my viewing experiences towards film have tremendously changed in recent years as I have become more and more immersed in its world. I am not old enough to recall silent movies, but I most certainly remember black and white movies that my parents used to watch on TV. In the 1980s, I always wondered why some broadcasts were black and white, especially when I switched to another channel that had color broadcasting. Personally, the only black and white TV show that I used to watch was The Three Stooges (Ray McCarey, 1934). I enjoyed watching this show for its funny slapstick action; however I did not enjoy watching it in black and white, as my focus was primarily on the main characters and not the scenery or objects around them. Several years later, this sort of viewing became a thing of the past because black and white films became less accessible in either television or movies. Conversely, the advent of computer-generated imagery, known as CGI, has changed theShow MoreRelatedDiscuss the technological impact on film theory and the advantages and disadvantages of the invasion of the digital world.1428 Words   |  6 PagesFilms are one of the most popular media in the modern world, watched by hundreds of millions of people all around the world. Films began in the late 19th century as a technological novelty, transferring to a new means of presentation and distribution an older tradition of entertainment, offering stories, spectacles, music, drama, humour and technical tricks for popular consumption. (McQuail, 1983) And, as with any popular media, people began to talk and write about it, and film theory arose fromRead MoreFilm and Digital Photography1313 Words   |  6 Pagesdifferences between a film camera and digital camera. For instance, a film-based camera records images directly onto a light-sensitive coated film, while a digital camera records images (via an image sensor) onto flash memory cards.   A digital camera comes with an LCD display which can be used for viewing images immediately after you have taken the shot, whereas for film, you have to bring it to a photolab for developing before you can see the picture There are many differences between film and digitalRead MoreThe Blind Side Movie Analysis947 Words   |  4 Pagesprivate academy with an all-white student body, teachers deem him as stupid, lazy, and undeserving of a prestigious education. Leigh Anne Tuohy (Sandra Bullock) goes against this prejudice when she decides to let Oher into her home and family. In the film, Leigh Anne shows no knowledge of the discrimination Oher faces until she attends a lunch with fellow parents of kids at Wingate Christian, where one makes the comment, â€Å"But seriously, Leigh Ann, aren’t you worried for Collins? I mean, she’s a beautifulRead MoreLife Changing Experience Essay566 Words   |  3 PagesLife Changing Experience About one year ago I had a life changing experience, a trip to a little town called Kerry on the outskirts of Dublin, Ireland. It was the most beautiful place that I have ever seen. Being in the presence of such beauty helped me see life from a different perspective. I was just going to be happy, appreciate what I have, be open-minded, not take anything for granted, and love everyone and everything. When I came back from Ireland I was truly happy, nothing couldRead MoreNorth Dallas Forty vs. Any Given Sunday Essay example838 Words   |  4 PagesAny Given Sunday and North Dallas Forty, made over 25 years apart, are two of the most famous football movies ever made. Both of these movies focus on an examination of American values as seen through the lens of a professional sport, both on and off the field. Any Given Sunday and North Dallas Forty do indeed have many striking similarities. Furthermore, it seems that both movies try to give a detailed depiction on the corporate mentality of modern day professional football; while at the same timeRead MoreLeadership in the Movie Apollo 131142 Words   |  5 PagesApollo 13 The film, Apollo 13, is based on the real-life crisis that occurred April 13, 1970 on board the Apollo spacecraft. The two main characters, Gene Kranz (Ed Harris) and Jim Lovell (Tom Hanks) are the key players who will address how a leader is able to survive and thrive in a world in which unexpected events occur on a regular basis. They portray the effective styles of leadership in balance with their ever changing surroundings, as well as their ability to maintain their interpersonalRead More A New Type of Film Essay1616 Words   |  7 PagesA New Type of Film Every day we are one step closer to filmmaking being as easy as taking out the brush and oils for a painting (Veneruso, 1998). The new technologies that have emerged in films have been the latest in a string of inventions, to help make the film industry better. Films have become an important part of our culutre since they started being made and shown regularly around the world. Although new technology in films may be nothing compared with other technology, it does seem thatRead MoreDefining Socially Conscious Film Making Essay1311 Words   |  6 Pagesin an industry in which there is too little demand in comparison to what is produced. Certainly, the indie doc economy has been impacted by oversupply, due in part by lower barriers to entry created by myriad of technological changes, and an ever-changing media landscape. But given that we operate as members of a ‘progressive’ community, should our industry be held to a higher standard than simply succumbing to predominant market forces? If not, how can professional careers be sustained? MaybeRead MoreThe Dream is Now: US Immigration and The Dream Act623 Words   |  3 Pages America the land of the free has been an open place for anyone to come and make a better life for themselves and their families. Our freedom has created more opportunities and open fields for anyone of any race, ethnicity, or sex to be able to flourish. Freedom to do almost as one pleases had been more of a crowd drawer than anything else throughout all of history. Freedom of religion, speech, and many legal freedoms of rights even today is a massive promoter of immigration and movement to the URead MoreRedefining Animation Methods: From the Past to the Future788 Words   |  3 Pagesmessage, tell a story, and/or educate the masses. Animation is the process of creating a continuous motion and shape change illusion by means of the rapid display of a sequence of static images that minimally differ from each other. Anyone who as ever turned on a television, gone to the movies, or seen a commercial has been exposed to an animation style at some point. Some love animation and some are not so interested in it, but regardless it is a booming business that started out simply and is

Effects Of Socioeconomic Status On Middle Childhood Essay

The Effects of Socioeconomic Status from Birth to Middle Childhood Socioeconomic status is the driving force behind many aspects of life. In this essay I will touch on several ways in which it can impact areas of development both in the United States and other places around the world. The first area I would like to look at is Behavior. In the textbook chapter 2 discusses behavior genetics and heritability. It discusses the relationship between the genetic and the environmental influences using SES as an example on environment as it relates to intelligence. The book states that some studies find middle class families to have higher heritability of intelligence not due to different genes than those in a lower SES but because they have access to greater resources. (Arnett, 2016) Another study used a Family-based training program in lower SES preschoolers. â€Å"Children from different socioeconomic status (SES) backgrounds display profound disparities in cognitive skills, brain structure and function, and academic outcomes (e.g., refs. 1⇓⇓–4). Because academic disparities associated with SES are increasing in many societies (5), there is strong motivation to develop and implement training programs that can narrow these achievement gaps.† (Neville, et al., 2013) This study did find that the children in the Family-based program showed significant changes in the reduction of problem behavior and improvement in their social skills. The implementation of parent or caregiverShow MoreRelatedSocioeconomic Status and Health Issues1380 Words   |  5 Pages Socioeconomic status (a measurement of income, education, and occupation) measures an individuals social standing in society. Low socioeconomic status is often linked to a depravity of essential material resources and heightened psychological stress variables. The importance of researching the effects is underlined by its association to a number of adverse health effects and the increasing prevalence of poverty within many countries in the world. Recent studies have investigated the possibleRead MoreParenting Techniques and Their Influences on Their Child‚Äà ´s Behavior and Habits.1227 Words   |  5 Pagesand correct any bad habits they may learn a long the way. Socioeconomic status is a huge factor in how a topic of parenting techniques can be studied. Any subject pertaining to parenting style and their influences can be linked to their social class. I will focus most of my discussion on the effects of overall parenting techniques and how socioeconomic factors and be linked to those techniques. Keywords: parenting styles, socioeconomic status, children Parenting Techniques andRead MoreThe Effects Of Video Games On The Development Of An Individual1659 Words   |  7 PagesArticle one â€Å"Infant Development Outcomes: A Family Systems Perspective† focused on the early stages of infancy; birth to seventeen months, and the effects of the individual mental status of each parent and the relationship of the parents on the infants cognitive and physical development. The second article â€Å"Contextualizing video game play: The moderating effects of cumulative risk and parenting styles on the relations among video game exposure and problem behaviors† focused on adolescents; age 6-8. SpecificallyRead MoreHow Socioeconomic Status Affects Cognitive Development of Children1722 Words   |  7 Pages one of the important ones being socioeconomic status (SES). SES can be defined as a multidimensional construct, including measures of social factors such as power, prestige and hierarchical social status, and economic resources (Hack man and Farah, 2009). Child development can be studied from multiple dimensions such as physical, mental, social, and emotional development among others. For the purposes of this study, I will be focusing on how socioeconomic status affects child cognitive developmentRead MoreEffects Of Low Socioeconomic Status On Mental Health1440 Words   |  6 Pageslinked socioeconomic status to mental health, especially in children and adolescents. Low poverty levels have been specifically identified as a key causal factor in developing mental health problems in children. There has been much discussion over the different theories as to why this is the case, but only two of these theories seem to hold a lot of evidence. Certain interventions and preventative measures can be employed in order to improve an individual’s mental health by altering socioeconomic statusRead MoreEssay on Childhood Obesity1599 Words   |  7 PagesChildhood obesity is one of the most serious public health chall enges of the 21st century. The problem is global and is steadily affecting many low- and middle-income families particularly in the United States. The socioeconomic status of these families contributes to the childhood obesity epidemic. Summary of Article 1 The article, â€Å"Beliefs about the Role of Parenting in Feeding and Childhood Obesity among Mothers of Lower Socioeconomic Status† is a study that was conducted by Alison KalinowskiRead MoreResearch Process Evaluation: Childhood Obesity and Schools1354 Words   |  5 PagesResearch Process Evaluation: Childhood Obesity and Schools In the article Childhood Obesity and Schools, by Li Hooker (2010), the research process involves nonlinear regression models. Interaction terms were developed so that the researchers could investigate the effects of factors such as physical activity, school type, National School Lunch Program, School Breakfast Program, and other issues on the body mass index of the children who were studied. The research process was to examine a smallRead MoreThe Positive Effect of High Quality Childcare on Childrens Cognitive Development1452 Words   |  6 Pagesprocess involving a complex interaction between biological and environmental factors (Feinstein, 2003, as cited in Wong, Edwards, 2013). There are multiple factors that occur in early childhood including breastfeeding, parental intelligence and obstetric complications that have been researched to understand the effect that they have on children cognitive development extending into adolescence and adulthood. However, research regarding th ese variables has been met with several limitations. It will beRead MoreThe Vietnam Veterans History Questionnaire Essay1341 Words   |  6 PagesSipprelle, Rueger, Carroll, 1984) will be used. Demographic history will be gathered pertaining to the age of participants and ethnicity. Also, demographic variables known to be associated with psychological functioning will be examined such as socioeconomic status. An additional screening question regarding exposure to familial violence will also be incorporated in the questionnaire (e.g. did you ever experienced or witnessed any type of abuse throughout your life?). The Structured Clinical InterviewRead MoreThe Effects Of Socioeconomics On Children s Children1743 Words   |  7 Pages Imagine a boy that has been teased mercilessly by his peers throughout his schooling because of his clothes and his free and reduced lunch status. He is constantly under pressure from peers to have the newest and niftiest gadgets; nevertheless, his mother cannot afford to provide food and permanent housing, much less, these extra luxuries. Therefore, he has to comprise with what his mother can afford. She tries to provide for her children and want s to offer them the world. Nonetheless, due to her

Foundation and Empire 21. Interlude In Space Free Essays

string(177) " you remember the news item that the Mule’s clown was not found on Terminus; that it was suspected he had fled to Haven, or been carried there by his original kidnappers\." The blockade was run successfully. In the vast volume of space, not all the navies ever in existence could keep their watch in tight proximity. Given a single ship, a skillful pilot, and a moderate degree of luck, and there are holes and to spare. We will write a custom essay sample on Foundation and Empire 21. Interlude In Space or any similar topic only for you Order Now With cold-eyed calm, Toran drove a protesting vessel from the vicinity of one star to that of another. If the neighborhood of great mass made an interstellar jump erratic and difficult, it also made the enemy detection devices useless or nearly so. And once the girdle of ships had been passed the inner sphere of dead space, through whose blockaded sub-ether no message could be driven, was passed as well. For the first time in over three months Toran felt unisolated. A week passed before the enemy news programs dealt with anything more than the dull, self-laudatory details of growing control over the Foundation. It was a week in which Toran’s armored trading ship fled inward from the Periphery in hasty jumps. Ebling Mis called out to the pilot room and Toran rose blink-eyed from his charts. â€Å"What’s the matter?† Toran stepped down into the small central chamber which Bayta had inevitably devised into a living room. Mis shook his head, â€Å"Bescuppered if I know. The Mule’s newsmen are announcing a special bulletin. Thought you might want to get in on it.† â€Å"Might as well. Where’s Bayta?† â€Å"Setting the table in the diner and picking out a menuor some such frippery.† Toran sat down upon the cot that served as Magnifico’s bed, and waited. The propaganda routine of the Mule’s â€Å"special bulletins† were monotonously similar. First the martial music, and then the buttery slickness of the announcer. The minor news items would come, following one another in patient lock step. Then the pause. Then the trumpets and the rising excitement and the climax. Toran endured it. Mis muttered to himself. The newscaster spilled out, in conventional war-correspondent phraseology, the unctuous words that translated into sound the molten metal and blasted flesh of a battle in space. â€Å"Rapid cruiser squadrons under Lieutenant General Sammin hit back hard today at the task force striking out from Iss-† The carefully expressionless face of the speaker upon the screen faded into the blackness of a space cut through by the quick swaths of ships reeling across emptiness in deadly battle. The voice continued through the soundless thunder â€Å"The most striking action of the battle was the subsidiary combat of the heavy cruiser Cluster against three enemy ships of the ‘Nova’ class-â€Å" The screen’s view veered and closed in. A great ship sparked and one of the frantic attackers glowed angrily, twisted out of focus, swung back and rammed. The Cluster bowed wildly and survived the glancing blow that drove the attacker off in twisting reflection. The newsman’s smooth unimpassioned delivery continued to the last blow and the last hulk. Then a pause, and a large similar voice-and-picture of the fight off Mnemon, to which the novelty was added of a lengthy description of a hit-and-run landing – the picture of a blasted city – huddled and weary prisoners – and off again. Mnemon had not long to live. The pause again – and this time the raucous sound of the expected brasses. The screen faded into the long, impressively soldier-lined corridor up which the government spokesman in councilor’s uniform strode quickly. The silence was oppressive. The voice that came at last was solemn, slow and hard: â€Å"By order of our sovereign, it is announced that the planet, Haven, hitherto in warlike opposition to his will, has submitted to the acceptance of defeat. At this moment, the forces of our sovereign are occupying the planet. Opposition was scattered, unco-ordinated, and speedily crushed.† The scene faded out, the original newsman returned to state importantly that other developments would be transmitted as they occurred. Then there was dance music, and Ebling Mis threw the shield that cut the power. Toran rose and walked unsteadily away, without a word. The psychologist made no move to stop him. When Bayta stepped out of the kitchen, Mis motioned silence. He said, â€Å"They’ve taken Haven.† And Bayta said, â€Å"Already?† Her eyes were round, and sick with disbelief. â€Å"Without a fight. Without an unprin-† He stopped and swallowed. â€Å"You’d better leave Toran alone. It’s not pleasant for him. Suppose we eat without him this once.† Bayta looked once toward the pilot room, then turned hopelessly. â€Å"Very well!† Magnifico sat unnoticed at the table. He neither spoke nor ate but stared ahead with a concentrated fear that seemed to drain all the vitality out of his thread of a body. Ebling Mis pushed absently at his iced-fruit dessert and said, harshly, â€Å"Two Trading worlds fight. They fight, and bleed, and die and don’t surrender. Only at Haven – Just as at the Foundation-â€Å" â€Å"But why? Why?† The psychologist shook his head. â€Å"It’s of a piece with all the problem. Every queer facet is a hint at the nature of the Mule. First, the problem of how he could conquer the Foundation, with little blood, and at a single blow essentially – while the Independent Trading Worlds held out. The blanket on nuclear reactions was a puny weapon – we’ve discussed that back and forth till I’m sick of it – and it did not work on any but the Foundation. â€Å"Randu suggested,† and Ebling’s grizzly eyebrows pulled together, â€Å"it might have been a radiant Will-Depresser. It’s what might have done the work on Haven. But then why wasn’t it used on Mnemon and Iss – which even now fight with such demonic intensity that it is taking half the Foundation fleet in addition to the Mule’s forces to beat them down. Yes, I recognized Foundation ships in the attack.† Bayta whispered, â€Å"The Foundation, then Haven. Disaster seems to follow us, without touching. We always seem to get out by a hair. Will it last forever?† Ebling Mis was not listening. To himself, he was making a point. â€Å"But there’s another problem – another problem. Bayta, you remember the news item that the Mule’s clown was not found on Terminus; that it was suspected he had fled to Haven, or been carried there by his original kidnappers. You read "Foundation and Empire 21. Interlude In Space" in category "Essay examples" There is an importance attached to him, Bayta, that doesn’t fade, and we have not located it yet. Magnifico must know something that is fatal to the Mule. I’m sure of it. â€Å" Magnifico, white and stuttering, protested, â€Å"Sire†¦ noble lord†¦ indeed, I swear it is past my poor reckoning to penetrate your wants. I have told what I know to the utter limits, and with your probe, you have drawn out of my meager wit that which I knew, but knew not that I knew.† â€Å"I know†¦ I know. It is something small. A hint so small that neither you nor I recognize it for what it is. Yet I must find it – for Mnemon and Iss will go soon, and when they do, we are the last remnants, the last droplets of the independent Foundation.† The stars begin to cluster closely when the core of the Galaxy is penetrated. Gravitational fields begin to overlap at intensities sufficient to introduce perturbations in an interstellar jump that can not be overlooked. Toran became aware of that when a jump landed their ship in the full glare of a red giant which clutched viciously, and whose grip was loosed, then wrenched apart, only after twelve sleepless, soul-battering hours. With charts limited in scope, and an experience not at all fully developed, either operationally or mathematically, Toran resigned himself to days of careful plotting between jumps. It became a community project of a sort. Ebling Mis checked Toran’s mathematics and Bayta tested possible routes, by the various generalized methods, for the presence of real solutions. Even Magnifico was put to work on the calculating machine for routine computations, a type of work, which, once explained, was a source of great amusement to him and at which he was surprisingly proficient. So at the end of a month, or nearly, Bayta was able to survey the red line that wormed its way through the ship’s trimensional model of the Galactic Lens halfway to its center, and say with Satiric relish, â€Å"You know what it looks like. It looks like a ten-foot earth-worm with a terrific case of indigestion. Eventually, you’ll land us back in Haven.† â€Å"I will,† growled Toran, with a fierce rustle of his chart, â€Å"if you don’t shut up.† â€Å"And at that,† continued Bayta, â€Å"there is probably a route fight through, straight as a meridian of longitude.† â€Å"Yeah? Well, in the first place, dimwit, it probably took five hundred ships five hundred years to work out that route by hit-and-miss, and my lousy half-credit charts don’t give it. Besides, maybe those straight routes are a good thing to avoid. They’re probably choked up with ships. And besides-â€Å" â€Å"Oh, for Galaxy’s sake, stop driveling and slavering so much righteous indignation.† Her hands were in his hair. He yowled, â€Å"Ouch! Let go!† seized her wrists and whipped downward, whereupon Toran, Bayta, and chair formed a tangled threesome on the floor. It degenerated into a panting wrestling match, composed mostly of choking laughter and various foul blows. Toran broke loose at Magnifico’s breathless entrance. â€Å"What is it?† The lines of anxiety puckered the clown’s face and tightened the skin whitely over the enormous bridge of his nose. â€Å"The instruments are behaving queerly, sir. I have not, in the knowledge of my ignorance, touched anything-â€Å" In two seconds, Toran was in the pilot room. He said quietly to Magnifico, â€Å"Wake up Ebling Mis. Have him come down here.† He said to Bayta, who was trying to get a basic order back to her hair by use of her fingers, â€Å"We’ve been detected, Bay.† â€Å"Detected?† And Bayta’s arms dropped. â€Å"By whom?† â€Å"Galaxy knows,† muttered Toran, â€Å"but I imagine by someone with blasters already ranged and trained.† He sat down and in a low voice was already sending into the sub-ether the ship’s identification code. And when Ebling Mis entered, bathrobed and blear-eyed, Toran said with a desperate calm, â€Å"It seems we’re inside the borders of a local Inner Kingdom which is called the Autarchy of Filia.† â€Å"Never heard of it,† said Mis, abruptly. â€Å"Well, neither did I,† replied Toran, â€Å"but we’re being stopped by a Filian ship just the same, and I don’t know what it will involve.† The captain-inspector of the Filian ship crowded aboard with six armed men following him. He was short, thin-haired, thin-lipped, and dry-skinned. He coughed a sharp cough as he sat down and threw open the folio under his arm to a blank page. â€Å"Your passports and ship’s clearance, please.† â€Å"We have none,† said Toran. â€Å"None, hey?† he snatched up a microphone suspended from his belt and spoke into it quickly, â€Å"Three men and one woman. Papers not in order.† He made an accompanying notation in the folio. He said, â€Å"Where are you from?† â€Å"Siwenna,† said Toran warily. â€Å"Where is that?† â€Å"Thirty thousand parsecs, eighty degrees west Trantor, forty degrees-â€Å" â€Å"Never mind, never mind!† Toran could see that his inquisitor had written down: â€Å"Point of origin – Periphery.† The Filian continued, â€Å"Where are you going?† Toran said, â€Å"Trantor sector.† â€Å"Purpose?† â€Å"Pleasure trip.† â€Å"Carrying any cargo?† â€Å"No.† â€Å"Hm-m-m. We’ll check on that.† He nodded and two men jumped to activity. Toran made no move to interfere. â€Å"What brings you into Filian territory?† The Filian’s eyes gleamed unamiably. â€Å"We didn’t know we were. I lack a proper chart.† â€Å"You will be required to pay a hundred credits for that lack – and, of course, the usual fees required for tariff duties, et cetera.† He spoke again into the microphone – but listened more than he spoke. Then, to Toran, â€Å"Know anything about nuclear technology?† â€Å"A little,† replied Toran, guardedly. â€Å"Yes?† The Filian closed his folio, and added, â€Å"The men of the Periphery have a knowledgeable reputation that way. Put on a suit and come with me.† Bayta stepped forward, â€Å"What are you going to do with him?† Toran put her aside gently, and asked coldly, â€Å"Where do you want me to come?† â€Å"Our power plant needs minor adjustments. He’ll come with you.† His pointing finger aimed directly at Magnifico, whose brown eyes opened wide in a blubbery dismay. â€Å"What’s he got to do with it?† demanded Toran fiercely. The official looked up coldly. â€Å"I am informed of pirate activities in this vicinity. A description of one of the known thugs tallies roughly. It is a purely routine matter of identification. â€Å" Toran hesitated, but six men and six blasters are eloquent arguments. He reached into the cupboard for the suits. An hour later, he rose upright in the bowels of the Filian ship and raged, â€Å"There’s not a thing wrong with the motors that I can see. The busbars are true, the L-tubes are feeding properly and the reaction analysis checks. Who’s in charge here?† The head engineer said quietly, â€Å"I am.† â€Å"Well, get me out of here-â€Å" He was led to the officers’ level and the small anteroom held only an indifferent ensign. â€Å"Where’s the man who came with me?† â€Å"Please wait,† said the ensign. It was fifteen minutes later that Magnifico was brought in. â€Å"What did they do to you?† asked Toran quickly. â€Å"Nothing. Nothing at all.† Magnifico’s head shook a slow negative. It took two hundred and fifty credits to fulfill the demands of Filia – fifty credits of it for instant release – and they were in free space again. Bayta said with a forced laugh, â€Å"Don’t we rate an escort? Don’t we get the usual figurative boot over the border?† And Toran replied, grimly, â€Å"That was no Filian ship – and we’re not leaving for a while. Come in here.† They gathered about him. He said, whitely, â€Å"That was a Foundation ship, and those were the Mule’s men aboard.† Ebling bent to pick up the cigar he had dropped. He said, â€Å"Here? We’re fifteen thousand parsecs from the Foundation. â€Å" â€Å"And we’re here. What’s to prevent them from making the same trip. Galaxy, Ebling, don’t you think I can tell ships apart? I saw their engines, and that’s enough for me. I tell you it was a Foundation engine in a Foundation ship.† â€Å"And how did they get here?† asked Bayta, logically. â€Å"What are the chances of a random meeting of two given ships in space?† â€Å"What’s that to do with it?† demanded Toran, hotly. â€Å"It would only show we’ve been followed.† â€Å"Followed?† hooted Bayta. â€Å"Through hyperspace?† Ebling Mis interposed wearily, â€Å"That can be done – given a good ship and a great pilot. But the possibility doesn’t impress me.† â€Å"I haven’t been masking my trail,† insisted Toran. â€Å"I’ve been building up take-off speed on the straight. A blind man could have calculated our route.† â€Å"The blazes he could,† cried Bayta. â€Å"With the cockeyed jumps you are making, observing our initial direction didn’t mean a thing. We came out of the jump wrong-end forwards more than once.† â€Å"We’re wasting time,† blazed Toran, with gritted teeth. â€Å"It’s a Foundation ship under the Mule. It’s stopped us. It’s searched us. It’s had Magnifico – alone – with me as hostage to keep the rest of you quiet, in case you suspected. And we’re going to bum it out of space right now.† â€Å"Hold on now,† and Ebling Mis clutched at him. â€Å"Are you going to destroy us for one ship you think is an enemy? Think, man, would those scuppers chase us over an impossible route half through the bestinkered Galaxy, look us over, and then let us go?† â€Å"They’re still interested in where we’re going.† â€Å"Then why stop us and put us on our guard? You can’t have it both ways, you know.† â€Å"I’ll have it my way. Let go of me, Ebling, or I’ll knock you down.† Magnifico leaned forward from his balanced perch on his favorite chair back. His long nostrils flared with excitement. â€Å"I crave your pardon for my interruption, but my poor mind is of a sudden plagued with a queer thought.† Bayta anticipated Toran’s gesture of annoyance, and added her grip to Ebling’s. â€Å"Go ahead and speak, Magnifico. We will all listen faithfully.† Magnifico said, â€Å"In my stay in their ship what addled wits I have were bemazed and bemused by a chattering fear that befell men. Of a truth I have a lack of memory of most that happened. Many men staring at me, and talk I did not understand. But towards the last – as though a beam of sunlight had dashed through a cloud rift – there was a face I knew. A glimpse, the merest glimmer – and yet it glows in my memory ever stronger and brighter.† Toran said, â€Å"Who was it?† â€Å"That captain who was with us so long a time ago, when first you saved me from slavery.† It had obviously been Magnifico’s intention to create a sensation, and the delighted smile that curled broadly in the shadow of his proboscis, attested to his realization of the intention’s success. â€Å"Captain†¦ Han†¦ Pritcher?† demanded Mis, sternly. â€Å"You’re sure of that? Certain sure now?† â€Å"Sir, I swear,† and he laid a bone-thin hand upon his narrow chest. â€Å"I would uphold the truth of it before the Mule and swear it in his teeth, though all his power were behind him to deny it.† Bayta said in pure wonder, â€Å"Then what’s it all about?† The clown faced her eagerly, â€Å"My lady, I have a theory. It came upon me, ready made, as though the Galactic Spirit had gently laid it in my mind.† He actually raised his voice above Toran’s interrupting objection. â€Å"My lady,† he addressed himself exclusively to Bayta, â€Å"if this captain had, like us, escaped with a ship; if he, like us, were on a trip for a purpose of his own devising; if he blundered upon us – he would suspect us of following and waylaying him, as we suspect him of the like. What wonder he played this comedy to enter our ship?† â€Å"Why would he want us in his ship, then?† demanded Toran. â€Å"That doesn’t fit.† â€Å"Why, yes, it does,† clamored the clown, with a flowing inspiration. â€Å"He sent an underling who knew us not, but who described us into his microphone. The listening captain would be struck at my own poor likeness – for, of a truth there are not many in this great Galaxy who bear a resemblance to my scantiness. I was the proof of the identity of the rest of you.† â€Å"And so he leaves us?† â€Å"What do we know of his mission, and the secrecy thereof? lie has spied us out for not an enemy and having it done so, must he needs think it wise to risk his plan by widening the knowledge thereof?† Bayta said slowly, â€Å"Don’t be stubborn, Torie. It does explain things.† â€Å"It could be,† agreed Mis. Toran seemed helpless in the face of united resistance. Something in the clown’s fluent explanations bothered him. Something was wrong. Yet he was bewildered and, in spite of himself, his anger ebbed. â€Å"For a while,† he whispered, â€Å"I thought we might have had one of the Mule’s ships.† And his eyes were dark with the pain of Haven’s loss. The others understood. How to cite Foundation and Empire 21. Interlude In Space, Essay examples

Othello Religious Motifs free essay sample

Relationships in which people allow themselves to be manipulated through their weaknesses are truly flawed and have a great potential for failure. These relationships can become tainted by jealousy and rumours nurtured by deceitful individuals. Such is the situation in Shakespeare’s Othello, which depicts the tragic downfall of an apparently perfect relationship. Shakespeare uses images of heaven in the beginning of the play to emphasize the seemingly flawless love between Othello and Desdemona. Furthermore, as the play progresses, the juxtaposition between heaven and hell is used to represent the manipulative powers of Iago over Othello revealing the weaknesses of Desdemona and Othello’s relationship. As a result, the twisted heaven and hell imagery used near the end of Othello reflects the eventual break down of Othello and Desdemona’s marriage. Thus, in Shakespeare’s Othello, the connotation of the religious motifs throughout are used to develop the idea that even the most loving couples have their flaws leaving them vulnerable to the destructive powers of jealousy brought on by the manipulative influences of others, resulting in suspicion and ultimately betrayal. The seemingly perfect love between Othello and Desdemona is initially emphasized by Shakespeares use of heavenly images. Through images of heaven, Othellos passionate love for Desdemona is revealed. After being accused by Brabantio of using enchantments to win over his daughters love, Othello swears against it assuring their love is true: And till she come, as truly as to heaven I do confess the vices of my blood, So Justly to your grave ears Ill present How did I thrive in this fair ladys love, And she in mine (1. 3. 122-126). Othello swears on heaven that his love for Desdemona and her love for him is not a esult of witchcraft, but the result of an honest love for one another. The image of heaven is used to emphasize that Othello believes that the love between him and Desdemona is as pure as heaven itself. To call their love heavenly shows an exaggerated passion between the two further emphasizing the appearance of their perfect union. Similarly, Desdemona feels that the love between her and Othello is destined to be, and through Shakespeares use of divine imagery this point is emphasized. Upon arriving in Cyprus, Desdemona and Othello are reunited for the first time since their Journey: The heavens forbid/ But that our loves and comforts hould increase/ Even as our days do grow(2. 1. 190-192). For Desdemona to pray that nothing come between them and their eternal happiness shows a great deal of passion. Furthermore, to believe that their love will only die if they die highlights the certainty in which Desdemona feels that their love is more than Just a coincidence, but rather fate itself. The intensity of Desdemonas feelings for Othello adds to the idea that their marriage is ideal. Moreover, images of the soul illustrate Desdemonas love and her willingness to risk her entire being to be with Othello. When confronted bout her love for Othello, Desdemona reveals that [her] hearts subdued/ Even to the very quality of [her] lord. [She] saw Othellos visage in his mind, Did [she her] soul and fortunes consecrate (1. . 250-254). From the beginning, Desdemona has viewed love as a risk and challenge. She has violently uprooted herself from her fathers protection and the conventional expectations of Venetian society (Thomas Neely 96). Desdemona believes that a life full of risks and unknown dangers is worth living if she is by Othellos side. This complete devotion of body and soul reveals De sdemonas feelings of loyalty towards Othello. The rendering of her soul; her whole entire being, wholly to Othello emphasizes the impeccable love between the two of them. Thus, through heavenly images the apparently perfect union between Desdemona and Othello is portrayed throughout the first scenes of the play. Despite the apparent perfect relationship between Othello and Desdemona, the flaws within their marriage are revealed through lagds manipulative powers as illustrated by the Juxtaposition of heaven and hell. Shakespeare uses lagds character to bring about the doubt in Othello and Desdemonas perfect heavenly love through mages of hell. During his first soliloquy, part of lagds plan is revealed: l havet! It is engenderd! Hell and night/ Must bring this monstrous birth to the worlds light(l . . 392-393). Desdemona and Othellos relationship is represented as the good in the world; the light. For their relationship is that of perfection, they both love and trust each other with a deep passion. However, Iago is the opposite of this heavenly light and with him comes hell and corruption. When the characters meet, the sense of perfection is lost and hu man faults come into play. Furthermore, the Juxtaposition f heaven and hell illustrates that Iago is the tempter in Othello and Desdemonas relationship. After giving Cassio advice on how to approach Othello regarding his job, Iago reveals his true plan: Divinity of hell! When devils will the blackest sins put on, They do suggest at first with heavenly shows, AS I do now (2. 3. 321-324). By comparing himself to a devil that appears innocent, Iago is revealing his ability to deceive those around him with a fapde of kindness. To interpret Iago as a devil in turn implies Iago is more than that: a fiend whose fiendishness remains unproven in [the] play (Christofides 19). Furthermore, the contrast of the heaven and hell further highlights the Machiavellian nature of Iago that allows him to manipulate those around him without feeling remorse. Consequently, Iago tricks Othello into believing he is an honest man, thus, giving him the ability to manipulate Othello. Moreover, there is a lack of trust between Othello and Desdemona which is made evident through comparisons to the devil. Clearly, Othello is suspicious of something when he accuses Desdemonas hand of being hot, hot, and moist and require[ing] a sequester from liberty, fasting and prayer, uch castigation, exercise devout; For heres a young and sweating devil here that commonly rebels (3. 4. 34-39). By accusing Desdemona of having a moist hand, a symbol of amorous nature, he is accusing her of being unfaithful. Othello believes that Desdemona is a devil who needs to repent for the crimes she has committed against him. However, Othello has no proof that she has done any harm; he is simply accusing her based on lies told to absence of trust within their marriage. As a result, perverse images of heaven are used to show that lagds trickery has caused Othello to give up on those he loves. While Iago fills Othellos head with lies of Desdemona and Cassio together, Othello comes to the conclusion that is true. [and] [a]ll [Othellds] fond love thus doles] [he] blow to heaven. Tis gone(3. 3. 444-446). By believing what Iago says to be the truth in such a brash manner, a lack of confidence in Othello is revealed. This lack of confidence causes Othello to doubt other aspects of his life such as his relationship with Desdemona allowing Iago to further manipulate Othello. Therefore, Iago ha s the power to make Othello believe that Desdemona is being unfaithful to him thus, ausing Othello to lose all hope in his marriage. This loss of love is reflected through Othellos loss of religion. Therefore, lagds manipulative influences expose the true weaknesses within Othello and Desdemonas relationship which is reflected through contrasting images of the divine and damned. Furthermore, due to their marriages weaknesses, the eventual breakdown of Othello and Desdemonas relationship is reflected through twisted heaven and hell imagery. Through the ironic use of divine images it is shown that when he is overcome by Jealousy, Othellos sense of Justice becomes twisted. When confronted by Emilia, Othello gives reason as to why he killed Desdemona: Cassio did top her. Ask they husband else. O, I were damnd beneath all depth in hell But what I did proceed upon Just grounds -ro this extremity (5. 2. 136-139). Othellos sense of morality is corrupted; he believes that he is Justified in killing Desdemona because of her betrayal. Here, Othello Judges on behalf of God but, of course, the audience knows Desdemona has been misjudged, that the sword of justice should rightly 21) for Desdemona is innocent. Othello has been tricked by Iago into believing that he has the authority to choose what is right nd wrong. He then uses this authority misguidedly, resulting in the breakdown of his character and eventually his relationship with Desdemona. Additionally, the ironic reference to damnation further depicts Just how twisted his morality is; for he believes that what he did was truly Just. Moreover, Shakespeare illustrates the contrast between Othellos assumed morality and his true crime by once more using images of heaven and hell. After Desdemona is dead, her virtuous nature is compared to Othellos: O, the more angel she,] And you the blacker devil! (5. 2. 130-131). Othello lacks confidence within himself due to his differences, hich is emphasized through the use of a racial comment. However, these differences had meant nothing in the beginning, for the love between him and Desdemona was too strong. Consequently, Othello lets these differences get to him allowing Iago to manipulate him into losing the morality and honour he first possessed, reducing him to evil; a devil in comparison to Desdemona. Resulting in the further breakdown of Othello and Desdemonas relationship. Ultimately, as a result of distrust and Jealousy Othello betrays Desdemona, as is depicted through the use of religious images. Emilia reveals to Othello the true tragedy of his crime: This deed of thine is no more worthy heaven/ Than thou wast worthy her(5. 2. 160-161). Othello so overcome by Jealousy and anger is no longer associated with heavenly his entire marriage to Desdemona and ultimately leading to his betrayal of her. However, since Desdemona is still associated with heavenly images, it emphasizes her loyalty which in contrast further underlines Othellos flaws and the tragedy of his betrayal. Thus, through twisted images of heaven and hell Othellos betrayal of Desdemona and its consequential ruin of their relationship is portrayed. The shift from positive to negative connotation of the religious motif throughout Othello is used to develop the idea that even the most loving couples can have their flaws manipulated by others allowing them to be overcome by Jealousy, resulting in a lack of trust and ultimately betrayal. In the beginning, heavenly images are used to illustrate an almost perfect love between Othello and Desdemona. Later, near the middle of Othello, the playwright uses contrasting images of heaven and hell to represent lagds manipulative powers over Othello revealing the flaws within Othello nd Desdemonas relationship. Thus, the ironic use of heaven and hell imagery near the end of the play mirrors the tragic breakdown of Othello and Desdemonas marriage. Since relationships are not perfect they can become easily tainted when left to the deceitful will of others. For when people allow their weaknesses to rule over their lives true tragedy ensues. It is up to those individuals to decide whether or not to let the lies brought about by others to affect them or not. This is the decision that ultimately determines the strength of a relationship, not the number of flaws within it.